Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

A short experimental film about the effects digital noise and lack of privacy can have on interpersonal connection.

AGFA’S SPECIAL CHRISTMAS SPECIAL is a brand new, feature-length mixtape culled from the tinsel-strewn video vaults of the American Genre Film Archive (AGFA). Beaming with deranged holiday cheer, this compilation wouldn’t feel out of place on a broadcast from the TV station in VIDEODROME.

Detective James Knight 's last-minute assignment to the Independence Day shift turns into a race to stop an unbalanced ambulance EMT from imperiling the city's festivities. The misguided vigilante, playing cop with a stolen gun and uniform, has a bank vault full of reasons to put on his own fireworks show... one that will strike dangerously close to Knight's home.

Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.

A ship half the size of the Queen Mary, made of hand-tooled oak, lies frozen in a glacier on Mt. Ararat in northern Turkey. In this documentary, producer-director-actor Bart LaRue advances the theory that this ruined ship is Noah's Ark. LaRue became so obsessed with this theory that he risked his life to photograph every scrap of evidence he could glean, even bribing an entire company of Turkish soldiers on the Russian frontier to "look the other way" while he took a team of 17 pack horses and his film crew up the mountain. The legend of Noah and his magnificent ship has endured for centuries; now there is scientific proof that the legend is indeed reality. Now you can decide for yourself. Is this the real ARK OF NOAH?

Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.

Alicja is counting weeks to the birth of her daughter. She’s looking forward not only to her child but also to her husband, who works abroad. Oksana, a young Ukrainian, arrives to help her bring the long-awaited daughter to the world, but their life under the same roof is becoming harder than they expected.

The wife of a mechanic and tester of Alfa Romeo cars becomes the lover of a pilot. The two decide to flee together in Argentina.

A woman mourning her father's passing is tormented by memories of a mother she never knew. A presence reveals secrets hidden within her family home.

Zaire, January 1993. Rachel's family, an 8-year-old French girl, lives in Kinshasa in a house overlooking the Congo River. A sensual and intimate film about memory, writing and forgetting.

"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned out to be better than the original material and so Kren did show the film. The film's title relates to Brus' use of silver paper for his action.