Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.

After a seer gets brutally murdered, the search for the town werewolf gets more dire. Will the real werewolf be found out?

Zaire, January 1993. Rachel's family, an 8-year-old French girl, lives in Kinshasa in a house overlooking the Congo River. A sensual and intimate film about memory, writing and forgetting.

A glimpse of London in 1963, viewing monuments, buildings, parks, museums, and the bustling life of the city.

Clay animation based on the eponymous folktale Nenets. Caring mother and her three unruly children live in the tundra. After the rescue, one of his sons who had fallen into the river, a mother is sick. Enervated woman appeals to kids asking to bring her water, but children continue to frolic and play, unaware of the approaching disaster ...

Watch Mike, Bill, Kevin, and an all-star crew of hilarious guest riffers take on seven classic less-than-educational shorts, filmed LIVE onstage at San Francisco’s Castro Theatre in January of this year, in all its gritty, low-light, shakey-cam glory! Show includes: Welcome Back Norman Perc! Pop! Sprinkle! - with Cole Stratton (Pop My Culture Podcast) and Janet Varney (The Legend of Korra) Choking: To Save a Life - with Kevin McDonald (The Kids in the Hall) Cooking Terms More Dangerous Than Dynamite - with Adam Savage (Mythbusters) If Mirrors Could Speak - with Kristen Schaal (30 Rock, Bob’s Burgers, Flight of the Conchords) At Your Fingertips: Cylinders - with Paul F. Tompkins (Best Week Ever, Mr. Show, Tangled)

A boy is stuck in a recurring dream which he can't escape.

The Twentieth Anniversary concert proper from December 15th of 2001. Filmed at The Mean Fiddler in front of a packed house, the concert is perhaps not as theatrical as the Subterranea tour, although vocalist Peter Nicholls dons makeup and a cape for the event, just like in the old days of IQ. However, the main focus of the gig is the band itself and what immediately struck me was the important role that humor plays here, which has been absent from their other concert films.

Alicja is counting weeks to the birth of her daughter. She’s looking forward not only to her child but also to her husband, who works abroad. Oksana, a young Ukrainian, arrives to help her bring the long-awaited daughter to the world, but their life under the same roof is becoming harder than they expected.

Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).

Raghav works diligently at a tourist office, saving money for his sole ambition, dream honeymoon in Paris with his future wife. Accidentally meeting and marrying Anandhi changes his life forever.

Following a strange encounter with a swan found on the streets of London, a girl begins to lose her grip on reality. She is led to a large house where the lines between dreams and memories become indistinguishable, as she struggles with her relationships, her obsession with perfection and her identity. Loosely inspired by the mythology of Leda and The Swan, it looks at the way women cope with trauma, questions the idea of self and takes you on a journey through one woman's psyche.

Bronze contemplatively brings viewers through the course of a fateful 12 hours in the lives of three teenage girls. Slowing creeping towards tragedy, viewers are forced to analyze and rationalize an uncomfortable judgment: were they “asking for it?" Feminist questions about consent, responsibility, victim accountability, and the often skewed media representation of sexual violence are raised as these girls leave their suburban NJ home for a night out.

Based on Lokomotywa, a poem by Julian Tuwim. Made with the use of classical cartoon animation and combined photographs.

Mickie James raises the bar for women’s wrestling when she battles WWE’s greatest female Superstars, including Lita, Trish Stratus, Asuka and Becky Lynch in this collection of her best matches spanning more than a decade.

Animated characters introduce a compilation of George Pal replacement animation Puppetoon short films from the 1930s and 1940s.