The Spice Girls, now a quartet after the departure of Geri Halliwell, held the last concert of their World Tour at Wembley Stadium on Sunday 20th September 1998. Performing in front of 52,000 adoring fans, the event was a fantastic homecoming party for the girls.

Hecho en España is the fourth live DVD of the Mexican group RBD, released in 2007. Recorded at the Vicente Calderón Stadium in Madrid, Spain, on June 22, 2007, the show brought together over 40,000 people during the Celestial Tour. The show features the big hits and songs from the album "Celestial". The repertoire also includes songs from the album Rebels (first in English of the group).

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

A generative audiovisual composition for radar display tube and analog chaotic circuit inspired by the history of electron optics More info: http://www.joostrekveld.net/?p=2179

Two friends fighting dirty

A former FBI agent must stop a crazy man from blowing up bombs.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

Agents across the globe take turns spying on and double-crossing one another in an attempt to locate a valuable formula encrypted in the music code.

The Crown Prince Olav of Norway rides through the streets of London in a baby Cadillac. Later, three "royal testers" get in trouble with a burly policeman.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

A husband and wife are on the road doing a traveling BDSM show at various seedy locations. The wife is getting bored with the show and wants to quit. But while on tour in Kyoto a wealthy man and his proper looking wife invite them to do a private show. Little do they know that their stage routine is just child’s play compared to what the couple have in mind for them.

With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.

Exodus Decoded is a documentary created by Jewish Canadian filmmaker Simcha Jacobovici, in which new evidence in favor of the historicity of the Biblical Exodus is explored.

A penniless barber schemes to marry his wealthy landlady for her money, but friends, foes-and the Gods-intervene.