Herbert Wernicke's production of Richard Strauss's "Der Rosenkavalier", filmed live at the Festspielhaus Baden-Baden on 31 January 2009. Renée Fleming is the Marschallin, Diana Damrau is Sophie, Sophie Koch is Octavian, Franz Hawlata is Baron Ochs, Franz Grundheber is Faninal, Jane Henschel is Annina, and Jonas Kaufmann is the Italian singer. Christian Thielemann conducts the Münchner Philharmoniker.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

Despite the fact that production manager Kruse doesn't have the actors or the crew for the job, he recklessly boasts that he could direct a revue film. To prevent him losing face, Kruse brings together four people - a dramaturg, a composer, a writer and an architect - and gives them the thankless task of turning his idea into a film. Except for the relatively unknown composer Alexander Ritter, who is enthusiastically committed to the project, the other members of the team find themselves stuck in this mess.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?

Six strangers awake to find themselves the new tenants of a mysterious old house. Terrorized by insane Tiki-men in masks and taunted by their deranged captors,it soon becomes clear that only one singular action will save them: Kill.

Dark Roots of Thrash, is a release documenting Bay Area veterans TESTAMENT’s sold-out headlining performance at the Paramount Theatre, Huntington, New York, USA in February 15th and released on October 11th (Europe) and October 15th (North America) via Nuclear Blast! It captures a total of 19 live tracks with countless cams on stage and high above the audience, plus a special moshpit cam that makes you feel like you’re a part of the show! // Tracklist: 01. Intro 02. Rise Up 03. More Than Meets The Eye 04. Burnt Offerings 05. Native Blood 06. True American Hate 07. Dark Roots Of Earth 08. Into The Pit 09. Practice What You Preach 10. Riding The Snake 11. Eyes Of Wrath 12. Trial By Fire 13. The Haunting 14. The New Order 15. Do Not Resuscitate 16. Three Days In Darkness 17. The Formation Of Damnation 18. Over The Wall 19. Disciples Of The Watch 20. Credits + BONUS: 21. Backstage Footage 22. Native Blood (Video Clip)

Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Yowamushi Pedal: Re:RIDE compiles the first half of the Inter High arc from the first television anime season with some cuts of new footage added.

Day 2 HoneyWorks stage for “Capture the Moment” Savor it. Treasure it. Continued growth since 1st fes. Cherished memories. Emotions. A future that is built to last. And this moment is no less precious. Treasure every moment, most importantly this very one. Here, now. In staying true to those ideals, hololive 5th fes. will take place on a three-sided stage – an unprecedented and monumental first for hololive production! Connecting past, present, and future, we aim to hold a performance the likes of which have never before been seen.