'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.

Directed by Zbigniew Gniazdowski and Aleksander Hertz.

Bucky is a 16-year-old aspiring director who dreams of becoming the next arthouse auteur sensation. After a strange meteor crash lands in his backyard and turns his deadbeat father into a brain-eating zombie, Bucky and his friends seize the opportunity to create the ultimate horror flick, starring his undead dad.

The film is based on the motifs of Azerbaijani folk tales.

Finding heavy metal stardom as teenagers, Kittie has been thrashing for the past 20 years. With 6 albums and over 2 million in sales, they have defied industry norms, fought against rock stereotypes, and inspired generations.

When a thirty-something travel nurse meets a friendly mortician at a Guns 'N Roses concert, she thinks she's finally found her match -- until he ghosts her the next day. Overwhelmed, she turns to her four gay best friends for support as she confronts hard truths and figures out her next move.

Arjun, a hot headed but soft hearted man, always finds himself in situations that others take him as a bad person. His childhood teacher Masterji is the only person understands him & appreciates his good quality and Arjun follows his instruction/wishes completely. Arjun loves Aarti and wants to marry her but Aarti's father does not endorse this alliance and decides to get her marry to someone else. Arjun is agitated but Masterji calms him down and asks him to not disrupt this marriage, instead convince Aarti to marry the boy her father has chosen for her. Arjun follows what Masterji has asked him. Devastated Arjun finds love in Margret who he has been fighting with since she came to town. Now Margret's uncle and mother are against their marriage. This time Arjun is not lenient and does not even listen to Masterji. Arjun and Margret run away and commit suicide jumping down a mountain.

by Wrik Mead

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

Gili has a clear and violent agenda towards male sexual offenders. When she discovers her younger brother is suspended from school for a similar violation, she finds it difficult to comprehend the limits of her power to repair the world.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Abstract art film made for gallery exhibition.