Raja, a fisherman is secretly in love with Mona. When wealthy Ravi comes to live with his grandmother, Kamladevi, he sees Mona and falls in love with her. Mona also reciprocates his love. Raja is devastated by this turn of events. But when Kamladevi gets to know that Ravi is seeing Mona, she puts pressure on Mona to give up Ravi and marry someone else.

Unwilling to process a near-fatal car accident, an overworked director arrives late to the set of his horror film to find that most of the crew has left. Determined to complete the film, he and the remaining crew find out that his trauma from the accident refuses to let him go that easily.

Desperate to meet new girls, six down-on-their-luck guys come up with the ultimate plan to hook up - cast a fake movie. When tons of hot chicks show up for the audition, it's a matter of who's willing to go the farthest to get the part.

The life of a stressed-out air controller falls apart as he battles a court case involving a mid-air collision for which an investigator is trying to hold him responsible.

Drunkard Garsevan is supposed to bring wine for testing to specialist Poghosyan. On the road he drinks the wine and is picked up by two young men who think that he is a victim of road accident.

Joana visits her snail vivarium every day. Her work has developed into a way of seeing life and understanding the world, although she has to work every day because nature doesn't undestand sundays.

Two colleagues face a difficult problem when one of them acquires a tail overnight. An animalistic solution is soon found, satisfying everyone involved.

Marking a stylistically and philosophically turn away from the earlier features, The Sand Rose is Reis and Cordeiro’s most abstract, conceptual and literary work. The film’s collage structure gathers texts from multiple sources – including Kafka and Montaigne – and crafts a world of theatrical artifice far from the documentary inspired naturalism of Ana and Trás-os-Montes. Reis and Cordeiro’s least known film has lingered in obscurity and never recovered from the unfairly negative reviews that resulted in its severely limited release. Reis died less than two years later, just as he and Cordeiro were about to begin an ambitious adaptation of Juan Rulfo’s Pedro Parámo. - Harvard Film Archive

Brainwarp, the world's dumbest supervillain, attempts to make rent ($200) for his studio apartment hideout through a combination of foul language and violence. The action is fast and the visuals are like acid 'on acid.'

Makhlouf Bombardier, unusual, decides to be elected mayor of a dechra (village). So he surrounds himself with trusted partners to organize a great campaign for his election. Bombardier became the mayor of the village and is organizing an international film festival to compete at the Carthage festival. In his action, he is pursued by the Court of Auditors for embezzlement. So, his ultimate goal is to become the president.

A young dance student accidentally cripples a teacher she doesn't like.

A study of the post-adolescent male psyche, Four Letter Words gives an often humorous but raw unadulterated look at the views, attitudes, and language of young men in suburban America. The film focuses on a dwindling summer night's party, at which the characters gather for the first time since high school graduation. As the night's activities take their toll, the immaturity level rises, the profanity flies and of course the drunken brawl breaks out. It will be a night to remember although some would wish to forget.

Alex Jones exposes the growing militarization of American law enforcement and the growing relationship between the military and police. Witness US training with foreign troops and learning how to control and contain civilian populations. You will see Special Forces helicopter attacks on South Texas towns, concentration camps, broad unconstitutional police actions, search and seizure and more.

Two childhood friends take a rifle into the mountains, and return with a secret.

A SOV dramatization of the crimes of the Green River Killer, by the cult filmmaker Ari Roussimoff.

Director Sara Broos examines the relationship between herself and her mother, painter Karin Broos.